Merging Of Old And New Architecture

Merging Of Old And New Architecture Human population growth in our planet has increased in a whirlwind over the past few decades. The on-going increase of the world population nowadays leads to greater demand of providing built environment for the people. On the other hand, although the population is growing, the earth is not. People will have to build more in a land that stay constantly the same. The fast changes of built environment have become one of the results. In Singapore, fast changes of environmental surrounding have now become so common that people might perceive it as a habit and pattern of life. People might live in one area for just couple of months and suddenly their environment is no longer the same. New buildings are added, some are being destroyed and replaced. The main reason is because of the minimum land area they have, that must runs concurrently with the population increase. To meet the demand of peoples need that is constantly changing and increasing, the built environment is adapting in a fast pace also. Living in a condition that is continuously changing has left a certain bad impact of ones life. A lot of Singaporeans, especially the young generations have no glimpse of what happened in the past. They are growing up in this modern environment, with the expectation of an endless changing. Not knowing the past means that we are heading our way to a future without knowing our own history and culture, leaving behind all of what our ancestors had given. While others are able to trace back their root and heritage, we cant. Others are able to learn from their own history, we cant. This is also creating a boredom, to only look forward and waiting for something new. Whereby our surrounding needs to be altered according to peoples need, we also have a call to start learning to know our history and originality. One of the solutions to this problem may be just a simple act that has been forgotten by most architects. We still can have both the originality of the buildings with the combination of new function to be added on, adjusting peoples need that is constantly changing. Fast changes built environment as the result of the increase population and peoples needs have caused individuals not to know their past. By merging the old and new architecture, people will have a glimpse on their history while still having their needs fulfilled. The essay will be studying how the old and contemporary architects have done the merging of the two. II. The Future of The Past The issue of Singaporean Young Generation to grow up without knowing their own culture and heritage. 1. Fast Changes of Built Environment in Singapore Data from the construction sector in Singapore has shown a rapid growth since the past few decades. The development of construction sector in Singapore since 1982 to 1992 is 12.5 percent while since 1992 to 1998 the growth expanded to 15.9 percent. Until the year 1990, there is 6,813,376m2 floor area of new establishments completed. Moreover, up till the year of 2010 the growth has increased from 15.9 percent to 20.3 percent. (Building Construction Authority, 2010) One aspect that is causing this rapid growth of built construction sector is the increase of peoples population. Data from Singapore Statistics (Singapore Statistics, 2010) shows that in 2010 the number of population reaches 5,076,7000 people, while in 1980 the population is only 2,413,900 people. From the data above, it is shown that increase of population runs concurrently with the construction sector. We can analysed that due to the expansion of Singapore population, the necessities of people is growing as well. This issue will then leads to the obligation of government to build more in order to fulfil peoples needs. 2. Fast Changes Built Environment in Singapore Leading Towards The Unknowing of The Past MM Lee Kuan Yew once stated in his speech at the inaugural Future China Global Forum Meeting on Wednesday, July 17th 2010, that Singaporeans are ignorant. (Temasek Review, 2010). One of the biggest issues of ignorance in Singapore is where the young generations not aware of what happened in the past. What if it is not the case that they are intentionally ignoring what had happened in the past? What if it occurs because of no traces left from the past as the result of fast changes in their living environment? B. Lessons from The Past 1. History Value of The Past By recognising our own history, we do not only know what had happened in the past but also learn from it. Peter N. Stearns (Historians, 2008) , once said that history puts human experience in a situation whereby it allows us to understand ourselves as a people and a culture. It gives us a reference to consider the possible future ahead of us. For examples, journals, newspapers and other religious books become more relevant to know what is going on in that time period. Those who cannot remember the past are condemned to repeat it. (Santayana, 2005) on the other hand, with no doubt, knowing the past means also that we are aware of the mistakes done back then. It helps us understand past triumphs and tragedies, and gives us the tools to try and succeed where others have failed. It will be functioned as a guideline to illustrate our future in order to lead a better life in the future where we will not go down to the same hole again. 2. Memories How We Recall The Past Many very different things happen when we remember (Wittgenstein, 1974, pp. 181). Memories are another beauty depicting the past. How we recall and store every scene in the past is by memories. What has gone in the past shall live in our memories forever. We might forget the past without memories, and moreover the things that we cant let go of might stay forever in our mind even though they are actually gone. Memories play a certain roles in recalling the past. C. Architecture in The Past versus New Architecture Characteristics of Old Architecture The study of traditional architecture proved that in general there are recognisable patterns and forms in variety settings and variety purposes. Old buildings are usually designed by classification or by typological approach. Each type had certain characteristic that differentiates from others, and this will often be repeated in the design. For the spaces inside, they are typically designed as a solid body. They are always been rooms and solid spaces as to part one space from another. As for the functional purposes of old architecture How Traditional Architecture Different from Contemporary Architecture 2.1 Development of The Functions Contemporary architecture has developed rapidly, adjusting to human needs that are constantly changing. The main thing that differs traditional and contemporary architecture is the development of the functions. One of the examples is the establishment of department store in 1838. The increase of peoples possession on goods and daily needs is the main reason of the founding of department store, whereby people will be able to buy all kinds of their needs in one area. At the old time, all shops were standing alone; people will have to venture to one shop to another to get all their needs. Le Bon Marchà © Paris, France 1850 2.2 Development of The Forms Moreover, it is the characteristic of old building that is abandoned by new architecture. Repetitive forms are now used in a very little manner, while new forms are being introduced more. (will be explained more in the next semester) Le Bon Marchà © Paris, Shinsegae Centum City Busan, France (1850) South Korea (2010) D. Historical Approach The method of merging old and new architecture in the past The scheme of combining old and new architecture is not a completely new approach, whereby it has been done in the past. 1. John Ruskin 1.1 The Sixth Lamp of Architecture Lamp of Memory John Ruskin was an English art critic and theorist. He wrote an extended essay about principle in architecture, The Seven Lamps of Architecture. At the sixth point of his essay, The Memory, Ruskins clearly stated that there are two duties respecting national architecture; the first is to represent the architecture of the day and the second is to preserve, what is the most precious of inheritances from the past ages. (Ruskin, 1849) What Ruskin means by Memory is that architecture should have some regards to the culture and time where it has developed. Every building has its own beauty regarding its time being. Ruskin (2008, pp. 4-5) believed that every building especially domestic and residential building have some emotional aspect towards owner and space users. There are certain elements inside that cannot be renewed or replaced. 1.2 Restoration as a Form of Lie Even more, according to Ruskin (2008, pp. 15) restoration is a form of lie. We may make the same skeleton of the old building, or even portraying the exact same interior of the old. But still, the old building is destroyed, there will be no more emotional connection with people, whereby what they really connected with has gone, even after being replaced with something that is exactly the same. It will be better to have a robustly built structure that is strong enough to stand for quite sometimes, rather than having a building that is only last for a generation. Moreover, it is the nature of a building to have much longer life span than man. So why should we build one that requires changes after only short times, where actually it can be strongly remained? 2. Eugà ¨ne Viollet- le-Duc 2.1 Restorations of Medieval Buildings Different from Ruskin, Viollet- le-Duc was well known for his restorations projects of medieval buildings. When Ruskin strongly argued that restoration is a lie, Viollet- le-Duc has his own view on restorations projects. Restorations on medieval buildings appeared in France in the early 1830s, whereby there was a concern on medieval buildings that were slowly destructed as time goes by. Viollet- le-Duc was then firstly commissioned to restore Cathedral of Narbonne in 1839. As an architect and theorist, Viollet- le-Duc (Viollet- le-Duc, as cited in Levine, 2009, pp. 152) argued that what was lacking in the restoration field is the truth. A lot of French architects were making imitations objects, whereby the restorations were all look exactly the same with the old building before it destroyed. Viollet- le-Duc, aligned with Ruskins view about restoration as a form of lie, also believed that by imitating what has been there in the old buildings before and just directly made a newer version of it will bring no truth to the whole point of restorations. Restoration will be seen just to renew and renew the buildings whereby actually the originality of the buildings will be keep lacking. Viollet- le-Duc (Levine, 2009, pp. 154) then introduced a method of restoring with achieving something new and valid. He took what is the most important element in the old building; still using it but with the combination of creative modification. He pushed restorations to be beyond the limit and therefore leads to the era of Modernism. 2.2 Theory of Hut (Viollet- le-Duc Theory of Hut about taking the original elements of the old building and convert them into something new will be covered in the next semester) E. The Values of Merging Old and New Architecture 1. Unconventional twist created by merging old and new architecture Having both the originality of spaces with the new function will surely bring new sensation of the interior spaces (Conran, as cited in Niesewand, 1998, pp. 01) Imagine a sitting room with a church high ceiling, a workspace with the sunray glazes on the floor of a seaside house. We can get both the new function without sacrificing the beauty of old. The necessity of people is fulfilled, but now in a different unique ways. This will affect people in various ways: Fulfilment of necessity achieved in old environment, whereby in contradiction it is something new for people. People will perceive the old as a new thing as the function is now changing. Unconsciously, the space users will be in two different periods of time in a same place. This will provide the people some feelings of always being in different places all the time. Somehow, this is actually a benefit for people, especially Singaporean to be able to have two sensations in their spaces. Singaporean with the habit of living in small space due to land constraint will now be able to widen their view, although still being in the small space. 2. Transitional Spaces Between The Old and New Transitional spaces in architecture are commonly known as the connector of interior and exterior of the building. The use of transitional space is as a comfort zone as well as buffer spaces where people are allowed to adjust their selves before going to the different area. According to the definition of transitional spaces (UCL, 2005), it is articulated as a cross point where it connects the two. In the field of merging old and new architecture, these transitional spaces are now functioned not as the connector of outdoor and indoor, but between the old and new. It can be a space between the interior and exterior, between the exteriors or between interiors as long as it is a linkage from the old to the new. (Case studies of transitional spaces in between old and new buildings will be covered next semester) 3. Economically sizeable market With no doubt, reusing an existing building will bring a great economic advantage. Compared to build a new fabric, using an old building will only takes 50% to 70% construction works and therefore is less time consuming as well. (Cramer, 2007, pp.9) Moreover, demolition of old building nowadays is being perceived as an ecological waste. New building means taking more of the natural resources as material sources. Why would we want to take more from earth if we still could do alteration of existing building structure? It is wiser for us to provide more natural resources for the next generation rather than using them to the maximum limit now. Moreover, for the space users themselves, it is another economic advantage to utilise a readymade building than building a new one. The cost will definitely be higher to build a new structure than to reuse the old. 4. Challenging The Creativity of Designers Designers nowadays have been so caught up with the thought that creativity is to be explored to the highest point, whereby to create something in the existing building is a restriction of creativity. (Cramer, 2007, pp.9) On the other hand, in the practice, it is actually a greater chance for designers and architects to explore their potential and creativity in the field of designing with old establishment. While designing the new structure, there is no constraint and rules that will bind the designer. Designers will have to explore and put more thoughts when it comes to old buildings. There are a lot of sources inside the old that designers will have to incorporate with their new design features. This will require more creativity from the designers. F. The ways of merging the old and new 1. Converted Architecture new use for old buildings Lukas Feiress (Feiress, 2009, pp. 03) stated that we have to locate the present between the past and the future. In the present state, we cannot deny what has happened in the past, but still we need to look forward to the future. Converted architecture is a term of changing the use or function of an original building, especially the old and abandoned. Terence Conran, (Conran, as cited in Niesewand, 1988, pp.06) once said, How we use space and particularly how we live in it, requires a complex balancing act between practical limitations, individual requirements and personal preferences. Requirements of individual needs and personal preferences are a key to converted architecture. Some people may choose triple volume height open space for living while others may not. Than maybe an old school or old church is more suitable for them. To convert an old building means that we are maximising the use of what is already there with some adjustments of new functions. We might want to retain the old structure or forms of the existing skin with adding a new function on to it. The essay will gives examples that some of the greatest contemporary architecture projects are actually done with the engagement of existing building structures. There are two approaches of how the old and new come together as a whole: Blend In The new addition of function is blending in with the existing old fabric. They are now look similar and smoothly integrated. Various elements are used to bind the old and new together. It could be in terms of material, colours, or design of new structure that follows the old. Peoples view is being blurred, as they may perceive the new as the old or vice versa. Blend in could be use as the guideline to design the transitional spaces between the two. Neues Museum, Berlin Germany David Chipperfield (Case studies of Neues museum, Berlin by David Chipperfield as to bring the old and new as a whole whereby the new blended in with the old by the use of colour and material will be explored more in the next semester) Contrast The new function is intentionally designed in contrast with the old building. By treating it this way, space users will subconsciously feel as if theyre in two places in the same time. Museum of Sydney Australia 1983 Firstly built for the governors house on 1788, rebuilt for the Museum of Sydney on 1983 (further explained in next semester about how the architect is successful in contrasting the new element but still harmonious with the old) Different types of building conversion to create contrast: Add On Indicating the potentials of adding on a new structure to the existing building. There are no changes at all of the old building. New spaces being laid and extended onto existing fabric. The example shows that existing architecture and new structure form unexpectedly imaginative balance although with two different elements. House at St Kevins Road by Odos Architects Inside-Out Exploring the interior space of the old building. The original appearance of the existing site remains unchanged, but concentrating on the interior spaces. This type of converting is in line with conservation procedure to maintain the exterior of a historic building. Selexyz Dominicanen Bookstore Netherland (former church turned to bookstore) Change Clothes The opposite of Inside-Out, whereby the approach is now to completely change the exterior faà §ade of old building. New shell is now put to replace the existing fabric. This scheme of converting can be done for many old buildings that had gone through massive destruction of the exterior through ages and other for the optimisation of buildings shell. Bunny Lane by Adam Kalkin (former factory turned to a house) (All of the case studies will be furthered explained in the next semester) 2. Types of building to be converted It is not necessarily to be a historical building to be converted, but any old and abandoned structure. The main reason of merging the old and new architecture together is for people, especially young generation, to get to know their own culture and how life back there was like. Ruskin (Ruskin, as cited in Cramer, 2007, pp.15) said that The aesthetic value of something was closely linked to its age, and this aesthetic value should not be impaired by modern intervention. John Ruskin has stated that every building have their own beauty, their own ability to tell story about their own time being. It is not only the historical buildings that are able to tell us what happened in the past, but any other old buildings also. Potential types of buildings to be converted 2.1 Ecclesiastical building A lot of ecclesiastical buildings are vacant nowadays. The most common reason is because of the need to have more spacious assembly space. It leads to create a single larger unit meeting space from combining two or three churches together and left other buildings empty. The value of a churchlike building is that they are spacious and tall enough to accommodate a lot of spaces. They are suitable for living or gathering spaces that require more time inside the space such as cafà © or restaurant. Larger spaces inside the church will allow people to feel more comfortable where they have to stay in quite long time. White Rabbit Restaurant Dempsey Hill Singapore (Former old chapel building) 2.2 Municipal building Municipal buildings are places that are own by government, they have high position in local community such as police station, government hospital or schools. These buildings are usually built near to the main road or access area. They are highly accessible and this also becomes the value of municipal buildings. They are suitable for commercial places such as retail or hospitality, as usually located at the heartland of a city. Fullerton Hotel- Singapore (Former General Post Office building) 2.3 Commercial building Old commercial building, especially in Singapore, such as the old shop houses are more likely to become vacant as the result of changes in working patterns. There are now trends to group all commercial spaces together in business or urban areas, such as the grouping of shopping areas along Orchard Road along the way to Marina. The value of old commercial space is that they are tent not to have much decoration. They are often monotonous; all look the same and therefore allowed more new adjustments to be made. House at No. 12 Kong Seen Road Singapore by Richard Ho (former shop house building) 2.4 Industrial and Offices Industrial and offices are designed to be practical and useful rather than beautiful. Creativity of designers is challenged the most in converting industrial spaces and offices. It is the nature of industrial buildings to be ignored by passers by and it is the designers job to transform them into much more attractive with still retaining some parts of them. The value of this kind of buildings is they are usually very practical in the adjacency of spaces inside. Spaces work perfectly for the benefit of the users. (case study will be explained in the next semester) G. How will the space users cope with the new way of experiencing spaces based on the psychological effects from the above studies? The obstacles that people may face in coping with two elements at once. Will they get used to the changing of spaces inside? The adjustments by the space users and the design as well. (Will be explored in the next semester)

Project Selection and Risks

Project selection should be done in a manner that address external risk before the project commences. Consequently the personnel selecting the project should also understand the deferral risk before making the decision of deferring the project. In many projects of organizations, they neither simply avoids risk since if it is not properly managed can result to a great loss. However taking risk is a necessary condition in creation of wealth. Most projects take risks deliberately especially when it is their advantage.Risk can affect a project negatively if the selection of the project can not manage, understand, and price it. Before selecting project, there is need to recognize, accept and understand the risks involved that can lead to the project failure or have little potential of going up. When risks evaluation is poorly done, it can lead to unrecognized and high risk projects that have potential of endangering the whole enterprise. Selecting a project wisely can lead to taking advan tage of low risk and thus benefiting much from the project.Most projects usually fail because of lack of consideration of important risk factors that can ruin the project. A good model of selecting a project is supposed to be put in place so as to avoid frustrations in the project when things turn out to be worse. Every thing proposed in a project may be implemented as well as people put more efforts in the project but at the end the project fail if the selection did not take into account the risks that may be involved in it. Senior officials may make their decisions but if they do not understand the risk which may be involved, the project may not be able to do better.In order to reduce loss after selecting a project, there is need to have knowledge of the project so as to make a sound plan and also understand on the right or appropriate technology that should be used in the project. Before selecting the project you have to understand on the problems that may encounter it and also t here is a need to first discover what you do not know about the project to reduce the risk of failure. Risk can be reduced by identifying it and understanding on the specific impact that can affect the project so as to take action and address the risk.If the risk has been understood and identified, ideas should be generated to modify the plan of project to reduce the risk. Furthermore, identifying risk of the project can be useful in reducing risk for any similar project that may be conducted in future. In order to reduce risk in selecting a project the process of selecting the project should be reputable in that the project proposal needs to be clear with high level statement in the scope, objective and expected success measure.The project should have estimate of high level and magnitude needed in the implementation of the project and there should be discussion of the alternative risks and approaches in each approach. The process of selecting the project must also be cross-function al in that senior representatives must be part of it in the selection. It further has to be multidimensional by recognizing the set of the viable project. The selection process also must also recognize that there is no single or obvious metrics based on better results in picking any one project to operate and this can prevent the optimistic approach.

AP English III

In this mock press release from The Onion, the author satirizes the way products are marketed to consumers. He seems to think that the methods used by advertisers are exaggerated and manipulative. The author shows his contempt for marketing techniques by using Irony, diction, and hyperboles. The use of Irony Is evident In this mock press release. The author uses this Irony to point out logical flaws sometimes seen In advertisements. For instance, a woman claims that â€Å"after wearing MagnaSoles for seven weeks, [she's] noticed a significant decrease in pain† (lines 59-60).Customer testimonials are often used as an advertising technique. However, this particular one is showing irony because the injury of a sprained ankle could clearly be healed by time in seven weeks†not necessarily because of some miracle product. The audience recognizes this irony and finds it humorous. Another irony that the author is showing is the description of an â€Å"intelligent-looking man in a white lab coat† (lines 67-68). This is ironic because he is not necessarily intelligent, he merely appears to be intelligent.This parodies the advertising technique of using actors to sell products, as opposed to actual certified pecialists. All of these examples of Irony clearly show misleading tactics of marketers. The authors use of comical dlctlon emphasizes the audacious tone that real advertisements use to sell their products. However, this author flouts that bold tone by use of sarcastic and exaggerated word choice. For example, he mocks the scientific words typically used by using made up words. He creates terms like â€Å"pain nuclei,† â€Å"kilofrankels,† and â€Å"comfortrons. By inserting this satirical diction, the author is creating a connection to scientific vocabulary typically used in advertising. Consumers are often misled by vocabulary that they are unfamiliar with, and this author is satirically proving that. Specifically, he uses the term â€Å"pseudoscience† which sounds, to an uninformed ear, like a legitimate field of study. However, a clever reader will understand that â€Å"pseudff' means fake, and therefore the very term means â€Å"fake science† (not legitimate). By using such exaggerated diction, the author proves his satirical point that people will believe anything that sounds scientific.The author of this mock press release also uses hyperbole to mock real advertisements by ointing out their exaggerations. The article contains a quote by the product's creator that claims it is â€Å"not just a shoe insert†it's a total foot rejuvenation system† (line 16-17). This is an exaggeration of what typical advertisements say about their product. All advertisers want to sell their product as a â€Å"cure-all. † Through hyperbole, this article is mocking this convention. In addition, the article claims that â€Å"if the frequency of one's foot is out of alignment with the Earth, th e entire body will suffer† (lines 43-45).This is clearly a fantasy fact because we know that your entire ody is not necessarily Impacted by the biomagnetic connection of your foot to the ground. The author's hyperbole serves to further prove that advertisements often use bombastic exaggeration. The satirical devices used by the author poke fun at real advertising techniques. Through scientific-sounding diction, strong, humorous hyperbole, and ludicrous Irony, the author effectively makes his point that marketing techniques are deceptive and somewhat shady. techniques by using irony, diction, and hyperboles. The use of irony is evident in this mock press release.The author uses this irony o point out logical flaws sometimes seen in advertisements. For instance, a woman specialists. All of these examples of irony clearly show misleading tactics of marketers. The author's use of comical diction emphasizes the audacious tone that reader will understand that â€Å"pseudo' means fa ke, and therefore the very term means that claims it is â€Å"not Just a shoe insert†it's a total foot rejuvenation system† (line body is not necessarily impacted by the biomagnetic connection of your foot to the hyperbole, and ludicrous irony, the author effectively makes his point that marketing

Essay On Language And Communication - 1154 Words

Zacchaeus Kier Prof. Roy Pace English 1101- V 29 August 2017 Language and Communication Usage Language and communication are the basis of all things social. Whether social is discussing information about a coming test, reciting the last song listened to, or flirting with a girl or boy met at the cafe. Words are the basis of language and communication but not only words; action is also a basis hence the term, body language. Language and communication also include discussion with others and discussion towards oneself. When regarding language and communication, one uses it to think. Thinking is personal, and language is a way to process the personal information passing through the mind into something understandable and memorable. This†¦show more content†¦. One example of written language is this paper; however, written language consists of more than just words on paper. Written language could actually be drawings and pictures because they communicate ideas to others and the method has to evoke a thought or an idea. Like the other method s of communications written language originates from thoughts or ideas. Words on paper contribute a lot to written language. In America the very first things about a person are written down on what every legal citizen probably knows as, a birth certificate. Names are usually verbally communicated but they are always being written. For example: this essay header, every school paper that needs to be turned in (unless it is me up to 7th grade because of the fact that I continuously forgot to write my name), signatures, and online purchases. Without these common examples overall language and communication could become quite difficult and confusing. Examples of drawings being used as a medium of communication is abstract art and meaningful drawings. 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